Hatier Concours CRPE 2017 EPS et Connaissance du syst me ducatif Epreuve orale d admission
Cet ouvrage s’adresse aux étudiants qui préparent l’épreuve d’admission du CRPE. ♦ Un outil indispensable pour réussir l’épreuve orale du CRPE EPS • la méthodologie de l’épreuve • les connaissances didactiques et pédagogiques de référence • les domaines de l’enseignement de l’EPS ♦ Connaissance du système éducatif • des dossiers types du concours commentés • l’essentiel des connaissances à maitriser : les valeurs de la République, le cadre réglementaire...
Congo Square: African Roots in New Orleans comprises the first comprehensive study of one of the New World's most sacred sites of African American memory and community. Beginning in the eighteenth century, enslaved Africans and free people of color gathered in Congo Square on Sunday afternoons discontinuously for well over one hundred years. This book presents accounts and descriptions of the songs, dances, musical instruments, religious beliefs, and marketing traditions that typified those gatherings. Also included are examples of similar practices that existed in Haiti, Cuba, and other parts of the West Indies, reflecting New Orleans' relationship with Caribbean countries and shedding light on Congo Square's role in extending and perpetuating African music and dance in North America. The amalgamation of those practices influenced indigenous New Orleans performance styles as well performance forms on the national level.Written in a language accessible to the general public and students on the undergraduate as well as secondary level, this book includes an innovative timeline, maps, graphic images, extensive endnotes, and bibliographic references. This distinguishes it as an exceptional teaching resource for Louisiana as well as African American history and culture across the curriculum.
Guardians of the Louvre
A famous manga artist provides the latest entry in the Louvre collection of graphic novels. After a group trip to Europe, a Japanese designer stops in Paris alone, intent on visiting the museums of the capital. But, bedridden in his hotel room with fever, he faces the absolute solitude of one suffering in a foreign land, deprived of any immediate or familiar recourse. When the fever breaks somewhat, he sets out on his visit and promptly gets lost in the crowded halls of the Louvre. Very soon, he discovers many unsuspected facets to this world in a museum, meeting artists and their works from various periods, in a journey oscillating between feverish hallucination and reality, finishing at the crossroads between human and personal history. With this inner journey, Jiro Taniguchi invites us on a temporal and artistic trip to discover a sense of place under the leadership of some tutelary figures that appear to him, familiar or unknown ... the guardians of the Louvre.