L art chevaleresque du combat Le maniement des armes travers les livres de combat XIVe XVIe si cles
Cet ouvrage invite le lecteur à se plonger dans les livres de combat, littérature technique codifiant des gestes martiaux ; mais plus encore à approcher les hommes qui pratiquaient cet art dans les sociétés médiévales et prémodernes. L'épée, l'armure et le cheval sont autant d'objets symboliques passés sous l'oeil d'un archéologue, d'un historien de l'art et d'un historien qui permettent d'aborder l'art du combat. Les différents chapitres traitent du combat civil, du combat en armure et du combat à cheval. Une des forces de ce regard interdisciplinaire sur l'art chevaleresque du combat provient du fait que l'ensemble des auteurs allient recherches académiques et pratique des arts martiaux historiques européens, offrant ainsi une mise en perspective tout en profondeur à l'étude de cette littérature technique. Le livre est largement illustré par des images tirées des plus importants traités des XIVe et XVIe siècles.
Late Medieval and Early Modern Fight Books
Late Medieval and Early Modern Fight Books offers insights into the cultural and historical transmission and practices of martial arts, based on interdisciplinary research on the corpus of the Fight Books (Fechtbücher) in 14th- to 17th-century Europe.
The Moveable Feasts Fasts and Other Annual Observances of the Catholic Church
A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de The Moveable Feasts Fasts and Other Annual Observances of the Catholic Church Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.
Records of the Medieval Sword
An extensive and thorough study of the origins, development and usage of the glamorous two-edged knightly sword of the European middle ages, with a complete typology. Spanning the period from the great migrations to the Renaissance, this book presents a selection from a very large body of photographs and research and gives a full and detailed record of the swords of that turbulent time.
Renaissance France at War
The rulers of Renaissance France regarded war as hugely important. This book shows why, looking at all aspects of warfare from strategy to its reception, depiction and promotion.
Jules Barbey d'Aurevilly A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de Les diaboliques Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.
The Art of the Two Handed Sword
The Art of the Two-Handed Sword translates one of the last surviving works on the use of the two-handed sword, also called the great sword, a Renaissance descendant of the medieval knightly weapon that was equally at home on the battlefield, at tournaments, in the fencing academy, or on the street. The second half of the book provides a clear, practical, detailed guide to its use, as well as to the theory and practice of historical fencing. Francesco Alfieri's 1653 Lo Spadone (The Two-Handed Sword), translated here, provides a "missing link" between medieval and modern martial arts. It displays clear continuity with both medieval swordsmanship and the still living traditions of sabre and great stick. Beginning in the 14th Century, swords became more sharply pointed in order to pierce the heavy plate armor of the day, and the grip became longer to allow two-handed use for greater power. By the end of the 15th Century, the two-hander, as long as a man is tall, had become a fearsome infantry weapon used to break up pike formations and in honor guards defending the standard or banner. It was also used in tournaments, on the field of honor, and for civilian self-defense. This long two-hander was known in Italy as the spadone. Its basic methods have continued to the present day in great stick technique. The Art of the Two-Handed Sword is the first complete English translation of Alfieri's book, supplemented by related materials: the MS Riccardiano (c. 1550) and works by Camillo Agrippa (1553), Giacomo di Grassi (1570), and finally Guieseppe Colombani (1711), who provides our last textual reference to the weapon. Alfieri's work is supplemented by Ken Mondschein's painstaking reconstruction and adaptation of longsword practice for the present day. He draws on primary sources, martial arts traditions, classical and modern fencing theory, and extensive practical experience to create a practical and enjoyable method for learning and practicing the spadone under modern conditions. Numerous photographs illustrate the techniques that he describes.
The Medieval Art of Swordsmanship
Jointly Published with the British Royal ArmouriesMedieval fighting has long been thought to be rough and untutored. Visiions of men madly slashing to and fro and hoping for the best still dominate not only popular culture but modern histories of fencing as well.In recent years, the survival of more than 175 fighting treatises from the Middle Ages and Renaissance has provided a whole generation of enthusiasts, scholars, reenactors and stage choreographers with a wealth of new information. This text represents the earliest known text on swordsmanship anywhere in the world. Royal Armouries MS I.33 presents a system of combat that is sophisticated and demonstrates the diffusion of fighting arts beyond the military classes. Within the manuscripts richly illustrated full-color illustrations lie still-potent demonstrates of sword techniques, surprisingly shown by a Priest and Scholar. Most surprisingly, however, is the presence of a woman practcing in the text, the only one illustrated in any European fighting treatise. This full color facsimile & translation has been long-awaited and promises to become an important resource for years to come.
Acta Periodica Duellatorum
Acta Periodica Duellatorum (APD) is an independent, international, and peer-reviewed journal dedicated to Historical European Martial Arts studies. This emerging field of research has strong interdisciplinary dimensions with notably History, Anthropology, Historical sciences, Art History, History of Science and Technology, Archaeology, Sport Sciences, etc. APD was founded in 2013 and publishes two issues per year from 2016 on. The Scholarly volume offers an academic level platform for fundamental research, position papers and methodological papers, with a double blind peer review process. The Hands On volume offers a platform for pragmatic research, intended for the communities of practitioners, bridging the gap between experienced martial artists, independent researchers and scholars. APD is a non for profit association, based in Switzerland. It is supported by institutional grants, donators/partners and by its readers. The journal is published electronically (open-access) and printed for subscribed readers and institutions. Volume 4, Issue 1 (Scholarly Volume) - table of content: EDITORIAL ARTICLES Investigation on the collation of the first Fight book (Leeds, Royal Armouries, Ms I.33) (Fanny Binard) A Well Regulated Militia Political and Military Organisation in Pre-Napoleonic Switzerland (Dr. Jurg Gassmann) The French staff material from Johann Georg Pasch (Olivier Dupuis) The use of the saber in the army of Napoleon (Bert Gevaert) Income and working time of a Fencing Master in Bologna in the 15th and early 16th (Alessandro Battistini, Niki Corradetti) Pole-weapons in the Sagas of Icelanders: a comparison of literary and archaeological sources (Jan H. Orkisz) RESEARCH NOTE Two late flying prints informing on the artist involved in the Opera Nova of Achille Marozzo and on the date of an original (lost) edition? (Roberto Gotti, Daniel Jaquet) BOOK REVIEWS Jeffrey L. Forgeng, The Art of Swordsmanship by Hans Leckuchner (Daniel Jaquet) Jaser, Christian and Israe"
Arte Gladiatoria Dimicandi
For the first time, a color fascimile and translation will be available from this important 15th century master of late Italian Medieval swordsmanship. Master Fillipo Vadi's work, previously overlooked and underestimated by fencing scholars, presents the student of historical swordsmanship or of miltiary history a fresh, stunningly beautiful look into the mind of an Italian fencing master.Accompanying the exquisitely wrought text, finely translated by Luca Porzio, are 56 color plates showing many of the techniques explained in the chapters and by other historical masters, but in this case, with such a beautiful rendering that they are works of art unto themselves.An absolute must for the bookshelf of anyone interested in the history of fencing or late medieval warfare, this rich volume will also appeal to collectors of illuminated manuscripts, reeactors, and literary traditions of 15th century Italy.